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・ Sheila McGibbon
・ Sheila McHale
・ Sheila McKay
・ Sheila McKechnie
・ Sheila McKechnie Foundation
・ Sheila McKinnon
・ Sheila McLaughlin
・ Sheila McLean
・ Sheila McNamee
・ Sheila Meiring Fugard
・ Sheila Mello
・ Sheila Mercier
・ Sheila Miller
・ Sheila Mills
・ Sheila Mullen (artist)
Sheila Murphy
・ Sheila Márquez
・ Sheila NaGeira
・ Sheila Nelson
・ Sheila Nevins
・ Sheila Nicholls
・ Sheila Nickerson
・ Sheila Nirenberg
・ Sheila Nix
・ Sheila Noakes, Baroness Noakes
・ Sheila Nunan
・ Sheila O'Brien
・ Sheila O'Donnell
・ Sheila O'Flanagan
・ Sheila O'Hagan


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Sheila Murphy : ウィキペディア英語版
Sheila Murphy

Sheila E. Murphy (born 1951, Mishawaka, Indiana) is an American text and visual poet who has been writing and publishing actively since 1978. She currently lives in Phoenix, Arizona.
She earned:
* B.A. degree (''magna cum laude'', music/English) from Nazareth College, Kalamazoo, Michigan
* M.A. degree (English Language and Literature, Michigan College Fellow) from The University of Michigan
* Ph.D. degree (Educational Administration and Supervision, Emphasizing Community Education, Charles Stewart Mott Fellow) from Arizona State University.
With Beverly Carver, Murphy co-founded and coordinated the Scottsdale Center for the Arts Poetry Series for twelve years. Murphy has engaged in a broad range of poetic styles for more than three decades of writing and publication.
==Poetry==
::Toward a New Year
::''One whittles something, perhaps to reckon with an atmosphere''
::''in which the strategy remains produce, send forth, consume.''
::''From cold the wild geese fly away. In a pattern of advance/recede,''
::''velocity’s amended. The human spirit falls to virtuosic silence.''
::''As if to shift the factual in favor of the show. Perception’s''
::''inexperience informs oncoming history. Whose viscosity inverts''
::''clear thought during deliberation of a wind quintet.''
::''A trellis poised mid-snow, hosting the myth of climb until it’s so''
The emphasis on sound and the use of neologisms and cadences derive from study of music theory and performance. These same linguistic processes are evident in Murphy's prose poetry. As Jen Tynes〔(versemag.blogspot.com )〕 noted in a review of ''Proof of Silhouettes'' published in the Feb. 2, 2005 issue of ''Verse'', "The varied structure of the poems creates a super-awareness of prose versus broken line that seems organically fitting--() the reader is never quite lulled into recognition of the landscape or movement of this book, and yet it manages to move together, to speak a whole thing with clarity but without oversimplification. The form of the book as a whole creates...its own considerate and considerable relationship between lines of verse and prose, progression and procession..."
In referring to Murphy's prose poems in ''Letters to Unfinished J.'', Simon DeDeo (''Rhubarb is Susan'', Feb. 2006) wrote that
:"Murphy has the sensual fluency of Gertrude Stein..." (possesses ) "... a decided openness that leads to the sensation of risk, of stopping the torrents to speak directly ... that maintains a distinctly non-narrative attitude, filling the writing ... ()t is in that pouring that we get the whole Murphy ... the Murphy who wants to point out, to judge, to indicate."
Recently the prose poem has been the form of choice for Sheila Murphy, who coined the term for a new kind of prose poem, the "American Haibun",〔(unf.edu )〕 which is quite separate from the traditional Japanese form. "American Haibun" is being written by other innovative, English language poets, suggesting a possible trend.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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